for sale – audra mcnamee https://audmcname.com Made with my good left hand. Mon, 23 Feb 2026 00:54:21 +0000 en-US hourly 1 https://wordpress.org/?v=6.9.4 https://audmcname.com/wp-content/uploads/2023/11/favicon-150x150.png for sale – audra mcnamee https://audmcname.com 32 32 This Could Fix Everything https://audmcname.com/comics/this-could-fix-everything/ https://audmcname.com/comics/this-could-fix-everything/#respond Tue, 24 Feb 2026 15:00:00 +0000 https://audmcname.com/?p=984 cover: this could fix everything. Audra and Allia hold a copy of the zine (with the same, recursive cover image), it shines a cone of light, projecting the title. Audra has big hair and glasses, Allia has bangs.
Page 1: Allia: "I saw this and I loved it. And I thought, you know who will love it even more? Audra." Audra sits on the couch on her laptop, a cat lies next to her and she talks to haley. Audra: "Oh my gosh this system is so powerful, and all in markdown. Which notes do I move first. I can use icloud to sync. What plugins are good for images. Can we move the shared zine work over? This is better than video games. Haley: "Are you going to go to bed?" Audra: "Maybe". Audra lies in bed in a dark room staring at the ceiling. "This could fix everything."
Page 2: "BEEP, BEEP, BEEP, BEEP." Panel 1: Audra sits up in bed bleary eyed, her watch is vibrating and it's dark outside. Panel 2: Allia taps at her phone on her nightstand in her dark bedroom "ugh." Panel 3: Sunrise alarm clocks could fix everything. Audra and Allia lie on opposite sides of a large round light clock illuminating their faces. "Regain a circadian rhythm!" "Slowly forget the sweet rays of the real sun!"
Page 3: Safety Can openers could fix everything (crossed out), opening cans (crossed out), gift giving (emphasized). Panel 1: A demonstration of a safety can opener, twisting around a can. "Easier to maneuver. Panel 2: The top of the can pops off with no sharp edge. "Smooth, dull edge. Top can't fall in!" Panel 3: "Never again fish sharp lids out of bean juice" Allia: "It's the perfect gift! You can give it to your parents, coworker, crush, sister-in-law..." Audra: "Isn't that a bit impersonal?" Allia: "gifts should be personal?"
Pages 4, Panel 1: Physical Therapy, a PT talks to Audra, "To fix your back do theses simple exercises 3x/Day for the rest of your life." Panel 2: Glasses. Allia tires on some glasses, "this is great" Audra: you're not allowed to wear them in the comic tho."
Page 5, Panel 1: A heel lift. Audra sticks a small lift in one of her shoes, "they've been different lengths the whole time?" Panel 2: Vitamins, Allia holds two bottles of vitamins, "Maybe THIS is what's wrong with me."
Page 6: Panel 1 and 2: Everyone having the same pair of boots. Identical bluntstones on feet, and then in a confusing pile. Panel 3: Not listening to podcasts. Audra lies over the side of a couch holding her earbuds, "I can hear my own thoughts!" Saunas. Audra, Allia and friends lie in a dark sauna.
Page 7: panel 1: Overalls. Allia: "everyday." Panel 2: Weekday skiing. Audra sits on the ski lift, "psh I can work on the weekend." Panel 3: Ruby's mom's weed. In the foreground a jar of weed, in the background friends sit around an outdoor table on a covered deck smoking.
Page 8: Panel 1: "..." Allia lies on her bed staring at the ceiling looking despondent. "Maybe only time will fix this." Panel 2: Audra flops down next to Allia.
Inside back cover: a black and white cat curled into a ball.
back cover: A piece of notebook paper with a list. Could fix everything: carrying around a book in a fanny pack, bring back your dreams of becoming a baker (jk jk) (unless...), women's pockets, maybe stem cells, blueberry muffin, feeding the cats after 10pm. Audra: "... really?" Allia: "AFTER 10 pm?"

You can see the more charming print version on Allia’s site, or buy a print copy or a PDF. We’re actively collecting things for volume 2 (I don’t know if you’ve noticed, but not everything seems fixed yet. Still working on it). So: if you’ve got anything that could fix everything, drop me a line.

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Stop as Yield https://audmcname.com/comics/stop-as-yield/ Tue, 15 Oct 2024 18:45:42 +0000 https://audmcname.com/?p=908 Another Allia x Audra creation. Pulled together semi-feverishly for this year’s Portland Zine Symposium (as is traditional).

A stop sign, with a sticker reading 'as yield' at the bottom.
'Pre-2020 Oregon:' a cyclist approaches a stop sign, comes to a full stop putting down their leg, looks both ways, and then continues onward. 'Coming to a full stop makes cyclists burn energy and spend more time in intersections (1).'

Two large panels next to each other. The first is from a cyclist's point of view, as they approach a stop sign and the loud noise of a car cuts into their vision on the right. 'Nearly 60% of the ~50,000 yearly bike crashes that injure cyclists occur in intersections.' From a driver's point of view, they see their steering wheel, dashboard, and their own eyes in the rearview mirror. Outside the car's front window is a stop sign and a cyclists. The cyclist is labeled 'approaches intersections slower,' 'can hear oncoming cars,' 'better peripheral vision,' 'looks own mortality in the eye every day,' 'fashionable' (pointing to the cyclist's one rolled up pant leg).

'In 2020, Oregon narrowly passed a stop as yield law.' The cyclist from the first set of panels approaches a stop sign again, looking both ways and continuing onwards faster. 'A 2024 study confirms the new law doesn't increase bike crashes especially if you educate drivers (2).'
'How stop as yield works for bikes:' A cyclist approaches an intersection. Two arrows fork off from the panel, showing different responses to possible situations. 'Yield to pedestrians, and cars with right of way.' The cyclists stands, waiting for a car to zip by and a pedestrian with a scarf and a prancing dog to walk across the street. The cyclist pedals forward once the street is empty. In the second scenario, the cyclist finds the street empty. 'Roll through thew you have good visibility.' In the now-empty street a bird lands on the stop sign. 'How stop as yield works for cars: Expect bikes to roll through stop signs.' A cyclist with a rear basket and sunglasses passes through the intersection, with a car idling at a stop sign. '(And don't hit bikes I guess?) That's it.' A cyclist waves at a car that's waiting for the cyclist to pass before turning right. The cyclist's shadow is cast long across the road, making it obvious where they are. 'The law doesn't apply to red lights. Bikes must wait for green.' A cyclist waits at a light, their shadow stretching long behind them.
An elephant wearing a bandit mask pedals a tiny bike across the page. A banner is attached to the bike, reading 'Bike Crimes.' 'The elephant in the room: cyclists regularly ran stop signs before this law was passed, contributing to a myth that cyclists are particularly guilty of disobeying traffic laws.' Several cyclists blast past a stop sign, spinning it around: a cyclist on a recumbent bike, a cyclist on a tall bike, a cyclist wearing a long Victorian dress and riding a penny farthing, a cyclist on Pee-wee Herman's cool bike with a fin on the back, and three cyclists, a mother, daughter, and baby strapped into a child's seat, on a tandem bike. A man in a blazer and tie rolls his eyes, saying 'Scofflaws!' 'But everyone breaks the law.' A cyclist and pedestrian stop quickly, looking afraid. '95.9% of cyclists, 97.9% of pedestrians.' A driver cruises to a stop, crushing the stop sign, 'and 99.97% of drivers report breaking laws.' The man with the blazer and tie looks outraged, eyes bugging out. 'Most cyclists disobey laws to 'overcome a car-dominated transportation system' and protect themselves (3).'
A single panel, with a black background. 'In Oregon, stop as yield is a (the word step is crossed out) pedal forward. But cyclists will be vulnerable until our cities invest in bike infrastructure and public transit.' An older man with a large mustache and a young girl whose helmets have dinosaur-like spikes on it look small as they face down a car whose driver faces away from the reader. The rear window of the car reads 'the car always wins.' 'Biking should be safe, fun, and accessible to everyone in our city, not just the 'strong and fearless' (4).'
Actual bike crimes: riding a bike that's attached to the front of a bus, riding a bike cross legged while reading a book, locking only a bike's front wheel to a bike rack, and attaching a bike to a team of sled dogs (it's a crime of cuteness).

Citations

  1. Carl Sundstrom and Dan Nabors, “Bicycle Crash Statistics,” BikeSafe, 2014.
  2. David Hurwitz et al., “Impact of Bicycle Rolling Stop Laws on Safety-Relevant Behaviors in the Pacific Northwest,” January 1, 2023.
  3. Marshall, Wesley E, Daniel Piatkowski, and Aaron Johnson. 2017. “Scofflaw Bicycling: Illegal But Rational”. Journal of Transport and Land Use 10 (1). https://doi.org/10.5198/jtlu.2017.871. 823.
  4. bicyclelaw, “Stay Seen, Stay Safe? | Bicycle Law,” July 27, 2021.

Further Reading

  1. “Allowing Rolling Stops on Bicycles Doesn’t Cause Risky Road Behavior, Study Finds – OPB.” Accessed September 21, 2024.
  2. BikePortland. “Oregon Passes Version of ‘Idaho Stop’ Law That Allows Bike Riders to Treat Stop Signs as Yields,” June 25, 2019.
  3. BikePortland. “Guest Post: How Oregon Got Idaho Stop,” December 26, 2019.

Bonus material: development sketches (and little heads). (I mostly doodle little heads.)

Loose sketches. At center of page cyclist is labeled "looks own mortality in the eye every day," "fashionable," and "wetter."
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Mini zine: SEND IT https://audmcname.com/comics/mini-zine-send-it/ Thu, 13 Jun 2024 01:42:18 +0000 https://audmcname.com/?p=821 The target audience of this zine is me. I have to remind myself that people are friendly and want to talk about the stuff they’re passionate about at least once a week.

Allia and I wrote it, we riso printed it at the IPRC, and you can buy the zine if you want to.

An email window, with 'new message' written in the top bar. The message is to 'a cool guy' and from 'aservice' and 'amcnamee.' The message's subject is 'Send it. Or, how we learned to stop worrying and love the cold email.' Audra and Allia peer at a laptop screen, looking anxious and alert. Audra has circular glasses and long curly hair, Allia has long straight hair and bangs.
Page 1: 'You should email cool people! People we've emailed:' 'Ursula K. Le Guin's official biographer.' A young short-haired Audra curls over a computer screen, stressing. 'So! Many! Librarians!' Several Allias type at several computers. 'Preeminent psychedelic researcher' Audra stands at a desktop computer, typing frantically. Page 2: 'A successful YouTuber,' Audra sits on the ground surrounded by art supplies. They say, 'I would draw pictures for you.' 'Your parent's friend's uncle who owns a bakery,' Allia holds a computer in one hand, typing with the other, 'is this nepotism.' 'People who have emailed us,' four faces with different hair, of different ages: 'so many librarians.' A short haired person surrounded by small booklets, 'zine makers!'
Page 3: How to send an email. Step 0: (written on a scrap of lined notebook paper taped onto the page) Use the Wayback Machine to find an email address on a 10 year old website. Audra: not at all like a creep. Step 1: Write your email. Allia: more on this later. Step 2: Force roommate/coworker/mom to edit your email. Audra: You're out at dinner? That's nice. I have an email to read you. Page 4: Step 3: Reread email 3-23x. Three images of Allia rereading her email. Step 4: Send. Allia presses the button to send the email and it whooshes away. Step 5: Dread. The text is written in wiggly letters. Step 6: Receive reply 10x more delightful than expected. The letters break through the fog of dread. Step 7: Dread. Step 8: Respond. Allia and Audra frown. Reach out if you know a better process!
Page 5: Audra holds a sign, 'Writing a quality cold email.' Allia stands behind a line of people with different faces and hair, all wearing the same dark uniform with a name badge, 'Explain why you want to talk to them, and not another person with the same job. And express excitement about something they care about.' Page 6: 'Have a specific ask:' Audra: 'Are you free for a 30 minute call sometime in the next three weeks?' Allia and Audra look out at the reader, with serious eyebrows and smiles. 'And finally, keep it short.'
A warning sign: 'zine side effects may include receiving more emails.' A tiny frowny face is drawn at the top of the sign. Date: May 2024. @allia_makes & @audmcname.
Several multicolored copies of mini zine SEND IT sitting on clover.

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Mini zine: Pet Peeves #1 https://audmcname.com/comics/mini-zine-pet-peeves-1/ Wed, 17 Jan 2024 18:00:00 +0000 https://audmcname.com/?p=720 This is 100% Allia’s zine, I just drew the pictures. Not even all of them, either– her grumpy face on the second page was copied directly from her layout sketch. I want to hear more pet peeves. We don’t have a second zine in the series queued up yet…

As usual, you can buy the zine. It was riso printed at Outlet.

cover: Pet peeves number 1. ID: annoyed looking woman with bangs and a green cardigan frowning.
page 1: the cover image rolls up as if on a projector screen. "when people use website builders and they don't change the browser icon." The woman points at the generic browser icons for Wix and Squarespace. Page 2: a second person with glasses says "they're called faviocons" the woman responds, "that's a terrible name!! That's why no one talks about them."
page 3: "it makes websites look so unprofessional. It takes two minutes to change." Smaller, at the bottom of the page: "and now we all know you overpay for your website builder."  Page 4: the woman holds a large sign that says "possible replacements" then shows 9 possible favicon options including a simple colored square, a superman S and a smiley face. At the bottom of the page there's an error symbol with text that says "or anything else, except this."
Page 5 and 6: the two characters are shown with favicons reflecting in their eyes gazing at full browsers with identical favicons. The woman says: "the worst part is, we all have browsers full of identical tabs." Shouting: "How could you have the power to change it and just standby?"
back cover: the woman lies on her stomach with her legs crossed, she's wearing clogs, the back of her cardigan says I love favicons. @allia_makes and @audmcname Jan 2024

For the record don’t feel pressured to change your favicon or your website builder! Outrage is funny to draw but I promise it’s not personal!

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Mini zine: I Strongly Recommend the Library https://audmcname.com/comics/mini-zine-i-strongly-recommend-the-library/ Mon, 15 Jan 2024 18:00:00 +0000 https://audmcname.nfshost.com/?p=432 Debuted at the 2023 PDX Zine Symposium. The official copies were also riso printed at Outlet in Portland, but the photographed version was printed off at home. This was partially so I could post it on instagram before I’d gone to Outlet, but also because I’ve arbitrarily imposed the rule that I have to alternate black & white and colored images on my instagram feed. And I was due for a black & white image.

I can’t claim the rule makes my profile look any better (and I’ve definitely broken it at least three times) but having a silly little challenge I have to complete makes posting on instagram slightly more interesting.

All this to say if you buy a copy (they’re in the store!) you’ll get a nice seafoam green version.

Cover: "I strongly recommend the library," says Audra, a person with long curly hair and circular glasses. "A zine made with excitement and haste."
Page 1: Audra holds an unwieldy pile of books, "Y'know, the library." A copy of Ursula K. Le Guin's The Dispossessed has fallen off the pile of books. Page 2: "...where the books live?" A copy of Broad Band by Claire L. Evans and Stone Fruit by Lee Lai have fallen off the pile of books.
Page 3: Audra: "But you can check out more than physical books! I'm a sucker for the different digital services the library offers. I'm in the Multnomah County library system and I bet you have access to similar." Page 4: "Ebooks, digital comics, digital magazines, audiobooks (though you can't check out Audible exclusives because booo Amazon), all through Libby!" Different kinds of materials you can check out, including the comic Now Let Me Fly by Ronald Wimberly and Brahm Revel, Ace by Angela Chen, The Likeness by Tana French, and magazine Bon Appetit.
Page 5: "More comics, TV and movies, and even music within Hoopla." Comic The Human Target, television show Miss Fisher's Murder Mysteries, and Barbie the album. Page 6: "Kanopy has even more movies. And don't overlook the research tools. In the newspaper archives, you can read about the 1940s childhood of a local computer scientist, then make a (usually paywalled) excellent zucchini pasta. Legally and for free!" Audra sprawls on the floor reading a newspaper, and then makes a pasta.
Page 7: Audra whispers: "I also hear the library: Has private study rooms you can book for two hours at a time. Offers space to host events and classes, if they're free and open to all. Lets you post stuff on their bulletin boards. Using the library helps keep it open! Catch you out there." "audmcname.com, October 2023"
Blurry polaroid of Allia and Audra tabling at the Portland Zine Symposium
Thanks to Drew for the photo of our table
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Mini zine: Audible Sucks https://audmcname.com/comics/mini-zines-audible-sucks/ Sat, 13 Jan 2024 18:00:00 +0000 https://audmcname.com/?p=718 Made with Allia, riso printed at Outlet, and debuted at the 2023 PDX Zine Symposium.

You can buy a copy. Scroll to the bottom for citations as clickable links.

'Audiobooks are awesome, but Audible Sucks.' Allia grins at the reader. She has long hair with bangs, and a striped shirt. In silhouette Audra 'boo's behind her. Audra has long curly hair, round glasses, and is wearing a hoodie.
Page 1: Audra: "Did you say Audible? I love audiobooks! I read them everywhere!" Audra wears headphones that are connected to a cell phone. Little doodles of Audra washing dishes, stretching, and riding a bike while listening to an audiobook surround their head. Allia: "Audible is bad for authors. For starters, Audible is just Amazon in a trenchcoat." Allia clenches her fists, scowling. Page 2: Allia holds up her pointer finger, "Amazon controls 64 percent of the US audiobook market through Audible." "Audible doesn't pay authors: Audible's claimed cut of each sale is steep." An image of the Audible icon with little arms and legs holds up a dollar bill marked with Audible's claimed sales cut, 80 percent of non-Audible-exclusives and 60 percent of Audible exclusives. "But in 2020, #Audiblegate exposed their true cut." The Audible icon holds up dollar bills marked with the actual cut Audible takes: 87 percent of non-exclusive titles and 81 percent of exclusive titles. "Remember, Audible is a digital storefront, not a publisher. Writers pay for all audiobook production costs, or go through an audio publisher for an even smaller cut. Typically, retailers take a smaller sales cut." A webpage labeled 'online shops' holds a dollar bill marked 30 percent. A store labeled 'Ye olde brick and mortar' holds a bill marked 50 percent.
Page 3: Audra takes off their headphones (which are now connected to a CD player), no longer smiling. "That sucks. Um. I could just buy the books somewhere else, tho, right?" Allia steeples her fingers. "You should, but Audible is making that harder too." A library is drawn with shaky lines, like it's disappearing. "For non-exclusive titles, Audible forces publishers to agree to embargoes. Other bookstores and libraries can't buy or sell audiobooks for 90 days, so all presales go to Audible." Page 4: Allia leans against the side of the panel, her arms folded. "And they won't sell exclusive titles to libraries at all." "Audiobooks aren't optional for many people. Audible locking them away behind a paywall is an accessibility issue."
Page 5: Audra is slumped and dejected. Their headphones are now connected to a portable cassette player. "Audible sucks now? Is there any arm of the Amazon corporation left that we can trust?" Allia grimaces, "...no?" Allia leads Audra by the hand, "Look, it's a little less convenient but you should ditch Audible- it's just as expensive as buying audiobooks elsewhere, and actively bad for authors and readers." Page 6: "They won't have every title, but, Libro.fm takes a fairer cut of the audiobooks it sells, and their books are DRM-free." Allia tosses Audra the Libro.fm icon. Audra's headphones are connected to a record player. "And the audiobooks from your library are great. You should be using Libby, like, yesterday." Audra holds the Libby icon, putting their headphones back on.
Page 7: The silhouette of headphones in white on a dark blue background. "The library: use it or lose it. @audmcname and @allia_makes, 2023"
Annotated bibliography

Annotated Bibliography

Page 2: market control and royalties 

Page 3 and 4: embargo and libraries

  • “The Harmful Impact of Audible Exclusive Audiobooks – Libro.Fm Audiobooks.” Accessed November 2, 2021. blog.libro.fm/the-harmful-impact-of-audible-exclusive-audiobooks/.
    Libro.Fm is an independent audiobook seller that partners with local bookstores to sell DRM free audiobooks and gives authors a fairer deal. They write about Audible’s predatory business practices and how they hurt independent book sellers and libraries in this article.

Resources and Further Reading

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RSS is (not) dead (yet) (NED #3) https://audmcname.com/comics/rss-is-not-dead-yet/ Mon, 01 May 2023 01:00:00 +0000 https://audmcname.nfshost.com/?p=424 How monopolies are destroying blogs, podcasts, and webcomics.

Illustrating the history of RSS. Created in collaboration with A. Service, and debuted at VanCAF 2023. Part two on how to use RSS forthcoming!

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Dear Miss Tingle https://audmcname.com/comics/dear-miss-tingle/ Tue, 01 Nov 2022 01:00:00 +0000 https://audmcname.nfshost.com/?p=31

Comic illustrating exchanges from domestic scientist Lilian Tingle’s home cooking correspondence column in the Sunday Oregonian (1908-1929). Complete sources here. Created in collaboration with and based on research by A. Service. More about Lilian Tingle here.

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Jell-O Pages (NED #2) https://audmcname.com/comics/jell-o-pages/ Sat, 01 Jan 2022 01:00:00 +0000 https://audmcname.nfshost.com/?p=397 The history of gelatin and Jell-O from the 19th century to the present.

Published in University of Oregon’s comics magazine ArtDucko, issue 20. Complete transcript and sources here. Created in collaboration with A. Service, who also wrote a companion blog post about our gelatin party.

Cover Page:

TITLE: JELLO PAGES

SUBTITLE: the history of Jell-O from hooves to shots. January 2022, A. Service and A. McNamee

[ID: Cover is black with yellow lettering. The title is written across the center of an open yellow book, next to a small ridged Jell-O mold. A hand reaches down from the top of the page to rest on the pages of the book.]

Page One:

[ID: NED, a solid black humanoid demon with long, spindly limbs and large, white oval shaped eyes and no other features, wears an apron and sprawls across a large table. The table is covered in elaborate gelatin creations, including eggs in gelatin dome, tall jello molds with swirly and round fillings and a mold shaped like a hedgehog. Under the table are two intricate copper molds. Blocking part of the table is a recipe for calves foot jelly.]

NED: “I hope you’re here for Jell-O ‘cause Jell-O’s all we’ve got…well, some gelatin first. Before the 19th century, making gelatin required 8+ hours and a pot full of hooves and hides [2]. (Other recipes: eel, dried fish bladders).

Recipe: Section XIX. – Jellies [2] Calves’ Feet Jellies.– Boil down one set of calves’ feet in four quarts of water till it is reduced to one half, then strain through a sieve, in order to remove the bones; when settled and cold take off the grease on the surface, then boil, with the following additions: –twelve eggs, three pints of good Madeira wine, and two pounds of loaf sugar, the juice of four lemons; stir the mixture well with a whisk or spatula, and filter through a fine… [ID: the rest of the recipe is obscured.]

NED: “Anyone could make and eat gelatinized dishes (after all, gelatin’s made from scraps) but for elites, chefs perfected gelatin to create elaborate free-standing molded centerpieces. Starting in the early 1500s, increasingly elaborate gelatinized desserts were status symbols in England, and later the U.S. In the 1840s industrialization brought store bought gelatin sheets (of varying reliability), and then powdered gelatin and intricate tinned copper molds [3].

Page Two:

1897: Cough syrup manufacturer Pearl Wait saw potential in Knox gelatin’s flavorless powdered gelatin. As a man in the patent medicine field, his expertise led him to add 88% sugar and “fruit” flavorings.

[ID: a page with six panels. Panel one shows a dapper man with a pointy mustache in a tuxedo, he is touching his chin as if in thought, a thought bubble reads: “add 88% sugar and “fruit” flavorings. The man is standing in front of a sign for LeRoy, NY.]

His wife May named the new product Jell-O!

[ID: panel two shows a middle aged woman with an elaborate up-do in profile, saying “Jell-O!”]

But Pearl had little success selling Jell-O

[ID: panel three shows the same dapper man rushing around showing another man a pamphlet labeled Jell-O.]

So in 1899 he sold the brand for $450 to Orator Woodward, owner of Genesee Pure Food Company. [5]

[ID: panel four shows the dapper man shaking hands with an older man with slicked back hair, also in a tuxedo.]

Jell-O continued to struggle until 1902 when Orator placed ads in Ladies Home Journal, the first of Jell-O’s many iconic marketing campaigns. These ads featured beautiful drawings of Jell-O– Many also drew on racist imagery. This is explored in a digital exhibit by the University of Michigan [6]. (the Jell-O girl is Elizabeth King, actual daughter of the advertising artist assigned to Jell-O in 1904 [7])

[ID: panel five shows orator woodward with his head in his hands, sitting on a pile of Jell-O boxes. Panel six shows two recreations of historic Jell-O ads, a young girl with a bob in a frilly dress holds a tray of wine glasses filled with Jell-O.]

Page Three:

[ID the top half of the page has a decorated border, on one side of the border is a woman with a huge beehive like historical hair do in a 19th century style dress, holding a tray of cream puffs. On the other side of the border is NED in a similar frilly dress with a corset, taking the place of the other woman. Inside the border is a recipe for perfection salad.]

Perfection Salad [8]: A delicious accompaniment to cold sliced chicken or veal. 1 envelope Knox Sparkling Gelatine, 1 cup cold water, 1 cup mild vinegar, 2 tablespoonfuls lemon juice, 2 cups boiling water, 1 cup sugar, 1 teaspoonful salt, 1 cup cabbage, finely shredded, 2 cups celery, cut in small pieces, 2 pimentos, cut in small pieces. At the turn of the Century, middle class women were creating the new field of domestic science. Domestic science’s goal was to rationalize and intellectualize home cooking for middle and upper class women, as their cooks and maids left for higher paying factory work. Domestic scientists were obsessed with ‘dainty,’ ‘clean’ foods.

[ID: on the lower half of the page, one panel shows a long table full of young women wearing dresses, aprons, and gloves reading books. The next panel shows a hexagonal diagram with ingredients written next to each corner: milk ½, baking powder 5-6 tsp, sugar 2 cups, 1 or 2 tsp vanilla extract or other. A third panel shows a messy salad in a bowl with fancy silverware]

Though notoriously delicate and feminine, salads were too messy. Gelatin and Jell-O offered a means of containment. Domestic Scientists were invested in the intellectual elevation of women’s work to a ‘science’ without questioning the constraints of ‘women’s work’ [9]. (You could say they were…unwilling to break the mold)

[ID: a large 3 tiered gelatin salad on a bed of lettuce with veggies visibly encased inside, a large mold sits next to the gelatin.]

Page Four:

[ID: the top of the page is split into three vertical panels, an old fashioned Jell-O page has text boxes on it. NED’s hand rotates the box in the middle panel so the reader can see the text on the other side]

The 1930s-50s were the glistening apex of jello salad and the jello mold [10]. During the Depression, jello was a cheap way to stretch leftovers and add elegance [11]. The salad classic, lime Jell-O was introduced in 1930 [12].

[ID: the bottom half of the page is one big panel, in the foreground is a recipe for Lime Cheese Salad, and a large elaborate Jell-O mold. Behind them, NED is in a kitchen, wearing an apron. NED is stirring a pot on the stove, holding a knife and stirring something else with its foot.]

NED: “Even as advertisers pushed convenience foods post WWII, there was still enormous social pressure on wives to put time and effort into cooking. Though there was a (slow, but steady) increase in convenience food use, housewives didn’t just plop Jell-O on a plate. They molded salads with frostings and garnishes [13].

Lime Cheese Salad [14]: Dissolve 1 package Lime Jell-O in 1 cup hot water. Add 3/4 cup cold water, 2 tablespoons vinegar, and 1 teaspoon grated onion. Pour 1/2 cup mixture into 1 quart ring mold … fold remaining mixture, 1 cup cottage cheese, and 1 tablespoon mayonnaise; blend. Pour onto firm Jell-O, chill. Unmold. Garnish with salad greens. Fill center with seafood salad. 6 servings.

Page Five:

Starting in the 1960s, new food trends emerged. Tastes changed. Jell-O’s popularity waned.

[ID: three panels at the top of the page, the first is a spotlight on a Jell-O box. Then Jell-O is partially obscured by Spam and Pop-tarts, in the third panel Jell-O is almost fully obscured by Lunchables, Eggo Waffles, and Twinkies.]

Jell-O stuck around as a kid’s snack (and a college student’s vodka-vehicle)

[ID: a recipe for Jell-O shots partially covers a panel of NED boring Jell-O powder into a bowl]

JELL-O SHOTS: 1 (3 ounce) package Jell-O, 1 cup boiling water, 1/2 cup cold water, 1/2 cup vodka.

In recent years, foodies & chefs have resurrected gelatin as an avant-garde Novelty [15]. Gelatin’s wobbly and eye-catching. You can use it to encase, to infuse, to preserve, to display, to mystify. it went from being a dish for kings and queens, to a well-loved staple, to a kids snack.

[ID in a series of panels NED pours boiling water into the bowl of Jell-O powder, stirs the water in, pours the liquid into a pitcher, pours the Jell-O into a tray of shot glasses, and puts them into the fridge. Finally there is a panel that shows four avant garde desserts, a shot glass rimmed in salt with a lime wedge, a small glass with layers of gelatin and cream, a small square dessert, and a large juice glass with slayer of gelatin, garnishes and a small plant.]

Is it time for a Jell-O renaissance? …Probably not.

Citations:

Further Reading: We especially recommend Ivan Day’s blog for a fascinating look at recreation historical English gelatin. For a more modern take, check out Dr. Ken Albala’s food blog prominently featuring modern aspics. Sarah Grey’s history of Jell-O salad is excellent, and for anyone interested in gender and food history Laura Shaprio’s books are both must-reads.

[ID: NED reclines at the bottom of the page, his body is black, but when his limbs overlap they turn white, in a geometric pattern.]

  1. Peter Brears, Jellies & Their Moulds (Prospect Books, 2010);
  2. Kristin Holt, “Victorian Jelly: Desserts,” Kristin Holt (blog), April 7, 2021, http://www.kristinholt.com/archives/24150.
  3. Peter Brears, Jellies & Their Moulds
  4. Ivan Day, “Macedoine and Other Eccentric Jellies,” Food History Jottings (blog), June 30, 2013, http://foodhistorjottings.blogspot.com/2013/06/macedoine-and-other-eccentric-victorian.html;
  5. Carolyn Wyman, Jello: A Biography, 2001;
  6. Nicole Tarulevicz and JJ Jacobson. Jell-O: America’s Most Famous Dessert: At Home Everywhere | Bibliography and Further Reading · Online Exhibits. 2015, https://apps.lib.umich.edu/online-exhibits/exhibits/show/jell-o/imagining-the-other-intro.
  7. Genesee Pure Food Co, Jell-O: The Dainty Dessert (Leroy, N.Y.: Genesee Pure Food Co., 1905), https://catalog.hathitrust.org/Record/010747354;
  8. “Dainty Desserts for Dainty People / Emergence of Advertising in America: 1850-1920 / Duke Digital Repository,” Duke Digital Collections, accessed January 27, 2022, https://repository.duke.edu/dc/eaa/CK0028;
  9. Laura Shapiro, Perfection Salad (HarperCollins, 1986);
  10. Carolyn Wyman, Jello: A Biography, 2001;
  11. Sarah Grey, “A Social History of Jell-O Salad,” Serious Eats, accessed August 9, 2021, https://www.seriouseats.com/history-of-jell-o-salad;
  12. Carolyn Wyman, Jello: A Biography, 2001;
  13. Laura Shapiro, Something from the Oven (Penguin Books, 2004);
  14. Kris Manty, “How Jell-O Salads Created a Culinary Sensation,” Antique Trader, accessed December 19, 2021, https://www.antiquetrader.com/features/how-jello-salads-created-a-culinary-sensation;
  15. Ken Albala, “Ken Albala’s Food Rant: BTL in a Martini. Or BLTini.,” Ken Albala’s Food Rant (blog), August 7, 2019, http://kenalbala.blogspot.com/2019/08/btl-in-martini-or-bltini.html; “A Jell-O Salad Revival: Is Grandma’s Dark Horse Ready to Ride Again?,” The Canned Peaches Project (blog), October 29, 2019, https://cannedpeachesproject.com/a-jell-o-salad-revival-is-grandmas-dark-horse-ready-to-ride-again/.

Citation links and full transcript at audmcname.com

Instagram and Twitter: @audmcname

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Billboards vs. Beautification (NED #1) https://audmcname.com/comics/billboards-vs-beautification/ Wed, 01 Sep 2021 01:00:00 +0000 https://audmcname.nfshost.com/?p=42

Comic examining the Hamilton Sign near Chehalis, WA– why is it there? Is it even legal? Complete transcript and sources here. Created in collaboration with A. Service.

Cover Page

TITLE: Billboards vs Beautification

SUBTITLE: We drove Chehalis, WA and all we got was a 14 second video of this sign

[ID: NED, a mysterious demon, drawn entirely in black, with unnaturally long limbs and big eyes, crouches over a large billboard with the title on the left and a drawing of Uncle Sam on the right. Uncle Sam is an older white man with huge very close set blue eyes. He is wearing a top hat with stars and stripes on it and an old fashioned suit with a giant bowtie. He has a very narrow but long goatee. The billboard is on the side of a freeway. Behind part of the billboard is a map of the west coast with a route drawn between Portland, Centralia and Seattle.]

A. Service and A. McNamee

Page One

[ID: a comic with five panels, The first three panels show the steering wheel and dashboard of a car from the driver’s perspective. Through the dashboard the freeway is visible. A billboard with the words “FREEDOM IS DANGEROUS! SLAVERY IS PEACEFUL” written on one side and a drawing of uncle sam on the right slowly comes into view (actual sign, circa 2017). NED the education demon crouches over the sign and wraps its long arms over the words.]

You know when you’re on I-5 between Portland and Seattle.

You’re right near Chehalis, WA, and you see in the distance–

The two foot tall baby-blue eyes of Uncle Sam boring into you. Next to a far-right cold take on a 13×41 foot readerboard.

NED: “That’s pretty weird, right? What’s up with that?”

Page Two

The sign’s creator is this guy, Alfred Hamilton. [ID: a drawing of a middle aged white man staring into the distance.]

He was a successful turkey rancher who got rich off his investments [1] [ID: a drawing of a turkey]

And he was a member of the proto-far-right John Birch Society [2].* [ID: a roast turkey on a platter in a spotlight]*

Hamilton’s first recorded political billboard was erected in 1967. It protested new state and federal laws banning most billboards to preserve the beauty of American freeways [3].

[ID: Alfred Hamilton stands with his arms crossed behind a large flock of turkeys. There is one emu in the back of the flock and a large barn behind them. A billboard next to Hamilton reads: “THERE ARE NO BILLBOARDS IN RUSSIA!”.]

NED: there definitely are billboards in Russia

You can thank lady bird johnson for provoking Hamilton. [ID: a portrait of a middle aged woman with a short and puffy 1960s style hair style and a pearl necklace.]

Lady Bird’s advocacy ensured the Highway Beautification Act’s passage; LBJ signed it on her birthday [4]. [ID a smiling Lyndon B Johnson hands Lady bird a pen, both are wearing formal clothes and are middle aged. A tiny NED is sitting on Lady Bird’s shoulder.]

NED: “happy birthday”

Page Three

[ID: there are four different versions of the uncle sam sign, each has text on one side and a slightly different drawing of uncle sam on the other, there are four NED’s all are small, the same size as the signs, their arms and legs are wiggly, two NED’s are solid black and two completely white.]

NED: “Hamilton changed the slogan regularly, but they were uniformly conservative, often bizarre, and occasionally inscrutable.”

Sign 1: LET’S KEEP THE CANAL AND GIVE THEM KISSINGER

NED: “There were so many signs about the US finally giving Panama its canal back”

Sign 2: PUBLIC LIBRARY: A GREAT PLACE FOR YOUR KIDS TO MEET SEXUAL DEVIANTS

Sign 3: BOOTH GARDNER– A MAN WHO THINKS TWICE BEFORE HE SAYS NOTHING NED: “Like every Democratic governor of Washington, Gardner received his fair share of sign time.”

Sign 4: MUHAMMED YUSEF, MUSLIM FROM GREAT VRITAIN FINANCED “THE DA VINCE CODE”!”

NED: “Hamilton had to obliquely weigh in on the islamophobic consipiracy theories about Tom Hank’s film The Da Vinci Code in 2004.”

Page Four

[Unidentified silhouette of a face:] “But NED,”

You say

[Unidentified silhouette of a face:] “ What did Lady Bird Johnson have to say about Uncle Sam?”

[ID: NED with his chin in his hand and legs over its heads]

She didn’t personally weigh in on the matter, but Hamilton’s sign was in violation of Washington State’s Scenic Vistas Act in accordance with Lady Bird’s bill.

The only permissible billboards? “Signs advertising activities conducted on the property… [5]”

[ID: an uncle sam sign with a bedraggled, tired uncle sam on the left, the sign reads “CARTER”S NEW BROOM MADE OF OLD STRAW” the top of the sign in smaller font “HAMILTON FARMS access road exit” the bottom of the sign reads “Angus, holstein, springers”]

[ID:the bottom panel is laid out like a newspaper article, the headline reads “Uncle Sam Billboard Wins Legal Tussle” [6] by Brother Jonathan. There is an image of a cartoonish uncle sam behind a jail cell, with his hands gripping the bars. There is an ad for jello on the bottom of page that reads “SPRINKLE JELL-O INSTEAD O]

In 1971 Washington State sued Hamilton, but the appeals court sided with Uncle Sam: even though the ad only took up 8.9% of the sign, the government had no right to say that the sign wasn’t an ad [7]. So Sam got to say.

Page Five

Hamilton sold his farm in 1995 [ID: Uncle sam sign that reads “NONCOMMUNIST STRAW FOR SALE” a small lawn sign in front of it reads “SOLD, national frozen foods.”]

…and moved the sing up the road [ID: Uncle Sam sign that reads “DEMOCRAT MOTTO VOTE EARLY VOTE OFTEN.” in front of a semi truck]

Since his death in 2004 his son Mike owns the sign and presumably is responsible for its messages [9]. The ads and the farm are long gone, but the state hasn’t tried to have the billboard removed. [ID: an uncle sam sign that reads “TAX FREE COMMUNIST CITY BEING BUILT NEAR BOISE.”]

According to UW law professor Hugh Spitzer that’s because the Scenic Vistas Act has entered a “legal twilight zone.” Today courts allow laws that restrict the time, place and manner of speech but not content as the Act regulates– so it risks being struck down if challenged [10]. [ID: drawing of Hugh Spitzer, an older man in a suit with short hair.]

[ID: a rear view mirror with an uncle sam sign in it, the sign reads: “BACKGROUND CHECKS LET’S START WITH THE PRESIDENT”] So Hamilton gets the last word. For fifty years and counting.

Page Six

[ID: NED’s upper body with very long arms holding up text boxes.]

NED: “The Seattle Time estimates that the sign was viewed about 1.3 BILLION times between 1967 and 2017 [11], including gems like: “WOMEN ARE MEANT TO BE CHERISHED NOT LIBERATED,” ‘NO MEXICAN OLYMPIC TEAM? ALL THE RUNNERS AND SWIMMERS ARE HERE!” “EVERGREEN STATE COLLEGE- HOME OF ENVIRONMENTAL TERRORISTS AND HOMOS?”

NED: “Sometimes the signs are absurd to the point of humor, but they can also be cruel and unwelcoming.”

In hindsight, Hamilton’s rhetoric is reminiscent of Twitter trolls.

[ID: the twitter icon drawn above the handle “@RealCandaceO” next to the icon the tweet reads:] “A step-by-step guide to not having the government separate you from your family: Step 1: Don’t Break the Law that’s it, there’s no more steps.” [12]

Hamilton told the Oregonian that his goal with the sign was to “make people think [13]” But like Twitter, the sign has only a few seconds to provoke its viewers. Driving by in your car there’s no way to respond. Hamilton certainly isn’t promoting good-faith discussion, or even a coherent political ideology of his own.

The messages he wrote were often fear mongering and mean spirited, irony-dense, designed for an emotional response. Does Uncle Sam represent Hamilton’s perspective or the overbearing government? (why are his eyes like that?)

Page Seven

Uncle Sam has been controversial since 1967 (the Centralia-Chehalis Chamber of Commerce alone gets a call at least once a week) [14]. A common editorial response to these complain is:

[ID: a small low house like building, in the next panel a man with crossed arms and a baseball cap shading his face says: “Free speech! If you don’t like it, put up your own.”]

One Chehalis transplant Kyle Wheeler (no relation), became somewhat obsessed with the sign

NED: “(unrelatable)”

[ID drawing of Kyle Wheeler wearing a cloth mask over his nose and mouth and frameless glasses, he has shoulder length hair and is wearing a long sleeve shirt.]

And he decided to take the reply guys up on their challenge. After years of effort he’s found that

PRESS: “as it turns out, putting up a sign of your own isn’t quite as simple as comments in the newspaper make it out to be.” [15]

He got a plot of land along the highway but it’s not zoned for a billboard-sized sign.

[ID: Kyle Wheeler stands next to a large pride flag with a arrow of the trans pride flag on the right side that reads “LEWIS COUNTY WELCOMES…” behind the pride sign is the large torso of uncle sam, clearly much bigger than the pride sign. In front of the pride sing is a small lawn sign that says “RURAL AMERICAN AGAINST RACISM”]

He put up a smaller sign but it was puny next to the hamilton sign, and defaced within 24 hours. He continues working on the sign and related projects. He feels he owes it to other rural LGBTQ+ kids to keep going [16]. There won’t be a responding billboard anytime soon.

Page Eight

[ID NED’s upper body leans into first panel from the top of the page, NED has its head resting on its hands]

NED: “Lots of people, regardless of their personal political opinions, like to call the sign a beacon of free speech, like…”

[ID the unidentified silhouette of the head and upper body of a person in the second panel]: “What a glorious example of American freedom, I love it BECAUSE I don’t agree with it!”

NED: “But who gets that free speech? Wheeler doesn’t have access to Hamilton’s volume.”

It’s ironic that Hamilton, with all his economic and social power, felt so maligned that he needed the attention of 1.3 billion people to consider himself heard.

Incidentally, the sign has a 2.5 star rating on Yelp. A particularly lyrical review

[ID: the next paragraph is formatted to look like a Yelp review, at the top of the ‘review’ is a circle with an anonymous avatar, the name Mike M. Centralia, WA and a one out of five star rating]

Alfred Hamilton…like many bitter men, blamed the democratic system of governance for every little grievance. He was also a typical conservative chicken hawk, who could not be bothered to go to war himself, but spent a great deal of time and effort putting down those who don’t “support the troops.” All hat no Cattle.

Hamilton died in 2004. I’d love to miss him, but he won’t go away [17].

[ID: there are three panels in a row at the bottom of the page, the first shows a steering wheel and dashboard from the perspective of the driver, looking out over an empty road. The second panel shows the driver’s seat and steering wheel from the perspective of the passenger seat, revealing that NED is driving. NED has one hand on the wheel and the other behind its head. The third panel shows the uncle sam sign with a car driving past it. The sign reads: “TAKE THAT LADY BIRD.”]

Citations

  1. Mark Lawton, “‘Uncle Sam’ Billboard Owner Dies,” The Daily Chronicle, November 10, 2004, https://www.chronline.com/stories/uncle-sam-billboard-owner-dies,236138.
  2. Zoe Sayler, “A Highway, Divided: What Drives Opposition to I-5’s Uncle Sam Sign?,” Seattle Met, March 1, 2021, https://www.seattlemet.com/news-and-city-life/2021/03/what-drives-opposition-to-i5-uncle-sam-hamilton-sign-lewis-county-lollipop-guild-washington.
  3. Brittany Voie, “Voie Commentary: Slade Gorton and the Infamous Hamilton Uncle Sam Billboard,” The Daily Chronicle, July 28, 2017, https://www.chronline.com/stories/voie-commentary-slade-gorton-and-the-infamous-hamilton-uncle-sam-billboard,24896.
  4. “Highway Beautification Act Media Kit,” LBJ Presidential Library, accessed July 31, 2021, http://www.lbjlibrary.org/mediakits/highwaybeautification/.
  5. The State of Washington, Appellant, v. Alfred R. Hamilton, et al, Respondents (Washington Court of Appeals January 17, 1980).
  6. “Uncle Sam Billboard Wins Legal Tussle,” The Seattle Times, December 24, 1979,
  7. The State of Washington, Appellant, v. Alfred R. Hamilton, et al, Respondents.
  8. Mark Lawton, “‘Uncle Sam’ Billboard Owner Dies,”
  9. Erik Lacitis, “I-5’s Uncle Sam Billboard: 50 Years and Still Ticked off near Chehalis,” The Seattle Times, October 21, 2017, sec. Local News, https://www.seattletimes.com/seattle-news/i-5s-uncle-sam-50-years-and-still-ticked-off-near-chehalis/.
  10. Brittany Voie, “Brittany Voie Commentary: Hamilton Uncle Sam Billboard Is a Landmark in a ‘Legal Twilight Zone,’” The Daily Chronicle, October 13, 2017, https://www.chronline.com/stories/brittany-voie-commentary-hamilton-uncle-sam-billboard-is-a-landmark-in-a-legal-twilight-zone,22592.
  11. Erik Lacitis, “I-5’s Uncle Sam Billboard: 50 Years and Still Ticked off near Chehalis,”
  12. Shaun, PragerU & The Law, 2021, https://www.youtube.com/watch?v=MCTp_kYwz1E.
  13. Brittany Voie, “Voie Commentary: The Curious Case of the Loved and Loathed Hamilton Sign,” The Daily Chronicle, July 21, 2017, https://www.chronline.com/stories/voie-commentary-the-curious-case-of-the-loved-and-loathed-hamilton-sign,25076.
  14. Brittany Voie, “Brittany Voie Commentary: Hamilton Uncle Sam Billboard Is a Landmark in a ‘Legal Twilight Zone,’”
  15. Zoe Sayler, “A Highway, Divided: What Drives Opposition to I-5’s Uncle Sam Sign?,”
  16. Ibid
  17. “Uncle Sam Right Wing Billboard – Chehalis, WA,” Yelp, accessed October 1, 2021, https://www.yelp.com/biz/uncle-sam-right-wing-billboard-chehalis?q=all+hat.

Citation links and full transcript at audmcname.com

Instagram and Twitter: @audmcname

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